That Drifting Excrement Was Way Too Meaningful! It's the TV Letdowns of the Past Year.

As we reflect on the television landscape of the recent year, a handful of series emerge not for their excellence, but for their spectacular shortcomings. From awkward spin-offs to confusingly poor documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with dreadful writing, painful character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. Briefly, as the final season started, it looked like it had finally found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, viewers certainly had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this drama's issues. The recipient of a exceedingly uncommon zero star review, it was hard to know where to start listing the problems. The hilariously leaden writing? The tedious veneration of affluence and consumption? The seemingly wilful procession of cliches? Acting so poor they felt borderline malicious? Let’s just say “all of the above” and never speak of this show again. However, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.

The Supercomputer Drama

Naturally we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Shady figures meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were many other problems. Mainly that it was just profoundly boring; a dispute over narcotics territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Considering the degree to which she grinds the gears of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into quaint homemaking as deliberate provocations. But then you view them and are compelled to concede that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a poster for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All supported by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about both Victoria Beckham and her struggles with career, self-image, self-worth. But for some reason, this three-part series opted not to say them. Rather, the experience was like consuming a sales brochure. She clearly has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Inheritance

It should have been the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you follow a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of talented younger comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series struggled painfully to find the right tone, lumbering from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This international thriller about secret services spying on – and killing off – academics honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for explicit escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more examination of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Lori Patel
Lori Patel

Elena Voss is a tech enthusiast and writer who explores innovations and simplifies complex topics for everyday readers.